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Derek Walcott - What the Twilight Says: Essays


Release Date: October 01, 1999
Derek Walcott - What the Twilight Says: Essays Price: $20.00 - $20.00

Derek Walcott has been publishing essays in The New York Review of Books, The New Republic, and elsewhere for more than twenty years. What the Twilight Says collects these pieces to form a volume of remarkable elegance, concision, and brilliance. It includes Walcott's moving and insightful examinations of the paradoxes of Caribbean culture, his Nobel lecture, and his reckoning of the work and significance of such poets as Robert Lowell, Joseph Brodsky, Robert Frost, Les Murray, and Ted Hughes, and of prose writers such as V. S. Naipaul and Patrick Chamoiseau. On every subject he takes up, Walcott the essayist brings to bear the lyric power and syncretic intelligence that have made him one of the major poetic voices of our time.

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What the Twilight Says : Essays - Derek Walcott - 9780374526832 - 0374526834
ISBN13: 9780374526832. ISBN10: 0374526834. by Derek Walcott. Published by MacMillan Higher Education. Edition: 98
Stock Availability: in-stock
Condition: New
SKU: 482159U


Derek Walcott - What the Twilight Says: Essays Specifications

Key Information

Authors: Derek Walcott

Professional Reviews

Professional Reviews: Washington Post Book World: ""Walcott...writes a prose just slightly tinged with poetry, a diction that can be distinctly beautiful..."

Book Editions

Book Editions: Paperback245October 01, 1999Farrar Straus & Giroux8.25"(h) x 5.5"(w) x 0.75"(d), 0.65 lbs.9780374526832

First Line

Publisher's Note: When dusk heightens, like amber on a stage set, those ramshackle hoardings of wood and rusting iron which circle our cities, a theatrical sorrow rises with it, for the glare, like the aura from an old-fashioned brass lamp, is like a childhood signal to come home. Light in our cities keeps its pastoral rhythm, and the last home-going traffic seems to rush through darkness that comes from suburban swamp or forest in a noiseless rain. In true cities another life begins: neons stutter to their hysterical pitch, bars, restaurants, and cinemas blaze with artifice, and Mammon takes over the switchboard, manipulator of cities; but here the light makes our strongest buildings tremble, its colour hints of rust, more stain than air. To set out for rehearsals in that quivering quarter-hour is to engage conclusions, not beginnings, for one walks past the gilded hallucinations of poverty with a corrupt resignation touched by details, as if the destitute, in their orange-tinted back yards, under their dusty trees, or clim

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